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Chameleons, The - John Peel Sessions - Strange Fruit - Indie

Chameleons, The - John Peel Sessions - Strange Fruit - Indie
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Track Listing

A1 The Fan And The Bellows
A2 Here Today
A3 Looking Inwardly
A4 Things I Wish I'd Said
A5 Don't Fall
A6 Nostalgia
B1 Second Skin
B2 Perfumed Garden
B3 Dust To Dust / Return Of The Roughnecks
B4 One Flesh
B5 Intrigue In Tangiers
B6 P.S. Goodbye


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Chameleons, The
Title John Peel Sessions
Label Strange Fruit
Catalogue SFRLP114
Format Vinyl Album
Released 1990
Genre Indie

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Other Titles by Chameleons, The

A Person Isn't Safe Anywhere These DaysStrange TimesThe Fan And The Bellows


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The FarmBedazzledTouch Of EvilThousand Yard StareThe Soup DragonsJesus JonesCarter The Unstoppable Sex MachineHis Latest FlameWonder Stuff, TheFive ThirtyAn Emotional FishLivingstoneThe PopinjaysThe Darling BudsThat Petrol EmotionCUDSenseless ThingsNed's Atomic DustbinOasisIan BrownBlurThe Wedding PresentThe HousemartinsInspiral CarpetsEverything But The GirlSoup Dragons, TheThe MissionThe WoodentopsThe Wonder StuffFaith BrothersBirdlandNatural LifeDaytona Happy MondaysLevitation PushermanTest IciclesGay DadSensitize Magic Numbers, The

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Some Other Artists on the Strange Fruit Label

Directional Force & Dave ClarkeThe Blue AeroplanesNew OrderJoy DivisionA Guy Called GeraldNew Fast Automatic DaffodilsOrb, TheDirectional ForceThat Petrol EmotionInspiral CarpetsThe Orb

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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