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Bass Culture - The Facts Of Life - Industrial Music - US Techno

Bass Culture  - The Facts Of Life - Industrial Music - US Techno
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Track Listing

A Facts Of Life (Bleeper Mix) (5:00)
B1 Facts Of Life (Original Flavour)
B2 Facts Of Life (Bass Heavy Style) (5:28)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Bass Culture
Title The Facts Of Life
Label Industrial Music
Catalogue LABOR 2
Format Vinyl 12 Inch
Released 1990
Genre US Techno

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Other Titles by Bass Culture

Facts of LifeLearn To Cope


Some Other Artists in the US Techno Genre

Inner CityReese Project, TheDuane & Co.SysexHard HatsThis Is WarDJ DanOne On OneModel 500Needle DamageMacalusoThe Reese ProjectJMD 2Kelli Hand - K HandWinxResponsible Space PlayboysDistorterKagamiBlow Monkeys, TheMD ConnectionGearwhoreReel By Real - Juan AtkinsSatoshi TomiieMark The 909 KingRhythim is RhythimSpeedy JAir LiquideLeftfieldCarl CraigMike WadeJahkey BEcisterD.I.M.L.A. WilliamsReidSubsonic 808Statuskinky brosCharm FarmEndurance

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Predator, TheInfamix

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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