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JB's Allstars - One Minute Every Hour - RCA - Dub

JB's Allstars - One Minute Every Hour - RCA - Dub
Price £5.00

Track Listing

A JB\'s Allstars One Minute Every Hour (Club Mix)
B1 JB\'s Allstars One Minute Every Hour
B2 JB\'s Allstars The Theme From 903


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist JB's Allstars
Title One Minute Every Hour
Label RCA
Catalogue RCAT 357
Format Vinyl 12 Inch
Released 1983
Genre Dub

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Other Titles by JB's Allstars

Backfield In MotionBackfield In MotionBackfield In MotionOne Minute Every HourSign On The Dotted Line...


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemTackheadSugar BulletBeats InternationalConcrete NationMonyakaStock, Aitken & WatermanBorder CrossingMajestic 12Movement 98Zeke ManyikaF.A.B.Oui 3Bad Street BoyPeace OrchestraPlatinum Radics & Governor TiggyFaze ActionUnitone Rockers & Black SteelNew KingdomLazyboyCashmereSystem 7Transglobal UndergroundRichard LugoLarry PeeSly & RobbieInternational Pony & StepchildRaz OharaDJ ShadowThe ConceptYosser's GangCheshire CatMarkus KienzlHome T & Cocoa Tea & Shabba RanksOosh TerranovaRed DragonCarey JohnsonBomb The Bass & CarltonThe Dread Flimstone Sound

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Some Other Artists on the RCA Label

Five StarDaryl Hall & John OatesOdysseyEurythmicsThe Blow MonkeysRick AstleyOliveElvis PresleyFairground AttractionDaryl HallBenzJoBoxersSWVAverage White BandVangelisImaginationBlow Monkeys, TheMichelle GayleClannadLandscapePointer SistersCaron WheelerJ.M. SilkRick SpringfieldNona HendryxSad CaféSladeMichael RoseVolume Ten & Paula DaviesEvelyn KingBall Parc PlayerzBucks FizzSam CookeVarious ArtistsFirst ClassMr. MisterOlympic RunnersDJ H. Feat. StefyGlen GoldsmithGlass

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.