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The Black Dog - Temple Of Transparent Balls - General Production Recordings (GPR) - Techno

The Black Dog - Temple Of Transparent Balls - General Production Recordings (GPR) - Techno
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Track Listing

A1 Cost I (5:05)
A2 Cost II (6:30)
B1 4,7,8 (6:11)
B2 The Actor And Audience (5:17)
B3 Jupiler (4:42)
C1 Kings Of Sparta (4:11)
C2 Sharp Shooting On Saturn (6:39)
C3 Mango (5:36)
D1 Cycle (7:09)
D2 In The Light Of Grey (5:22)
D3 The Crete That Crete Made (5:10)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist The Black Dog
Title Temple Of Transparent Balls
Label General Production Recordings (GPR)
Catalogue GPR (L) 1LP
Format Vinyl Double Album
Released 1993
Genre Techno

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Other Titles by The Black Dog

Temple Of Transparent Balls - disc 2 only!!!!!!!!!!!!


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808 StateThe ShamenEskimos & EgyptDJ DanThe ProdigyLuke SlaterUnderworldSlamJbsDave ClarkeSven VäthMobyThe Chemical BrothersCarl CoxWestBamKen IshiiCristian VogelSound ExcitersDave AngelTony CrooksBlue PearlSubculture (4)Dynamite Stacey PullenKen IshiBob BrownApollo 440Roel ButzenKerosene Beat In TimeGroove CycloneChelsea GrinBoom Boom SatellitesDonato CapozziSilo LostMike DearbornA Guy Called GeraldIrridiumJosh Wink

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Some Other Artists on the General Production Recordings (GPR) Label

YO3GermBlack Dog, TheBeaumont HannantNevHi-RyzeWayne ArchboldThe 7th Plain

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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