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Cappella & Loleatta Holloway - Take Me Away - PWL Continental - Techno

Cappella & Loleatta Holloway - Take Me Away - PWL Continental - Techno
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Track Listing

A Take Me Away (Extended Mix) (6:19)
B Take Me Away (Techno Mix) (6:09)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Cappella & Loleatta Holloway
Title Take Me Away
Label PWL Continental
Catalogue PWLT 210
Format Vinyl 12 Inch
Released 1992
Genre Techno

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Other Titles by Cappella & Loleatta Holloway

• Take Me Away • Take Me Away • Take Me Away • Take Me Away • Take Me Away •


Some Other Artists in the Techno Genre

• 808 State • DJ Dan • Luke Slater • The Prodigy • The Shamen • Sven Väth • Slam • The Chemical Brothers • WestBam • Carl Cox • Jbs • Dave Clarke • Moby • Eskimos & Egypt • Stacey Pullen • Tony Crooks • Ken Ishi • Veinte Tres • Cristian Vogel • Bob Brown • Ken Ishii • Apollo 440 • Dave Angel • Dynamite • Kerosene • Sound Exciters • Underworld • Roel Butzen • Boom Boom Satellites • Mark Norman • Technomania • Donato Capozzi • Irridium • Neomorph • Josh Wink • Groove Cyclone • Rave Nation & Juliette Jaimes • Chelsea Grin • Lost • A Guy Called Gerald •

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Some Other Artists on the PWL Continental Label

• 2 Unlimited • Club House & Carl Fanini • Rofo • Jakie Quartz • Schwarzkopf • Francesco Zappalà • Francesco Zappalà • Club House Featuring Carl* • R.A.F. • Début De Soirée • Katherine E • Anticappella • DJ Pierre • Anita Adams • Club House • Space Trax • DJ Professor • Jam Jam •

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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