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G-Flex & The Bandit - Party AK47 - SOUR - Dub

G-Flex & The Bandit - Party AK47 - SOUR - Dub
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Track Listing

A Party AK-47
B1 Party AK-47 (Dub For Dub)
B2 Party AK-47 (Central Zone)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist G-Flex & The Bandit
Title Party AK47
Label SOUR
Catalogue SOUR 011
Format Vinyl 12 Inch
Released 1995
Genre Dub

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Other Titles by G-Flex & The Bandit

Party AK47


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemTackheadSugar BulletBeats InternationalConcrete NationMonyakaStock, Aitken & WatermanBorder CrossingMajestic 12Movement 98Zeke ManyikaF.A.B.Oui 3Bad Street BoyPeace OrchestraPlatinum Radics & Governor TiggyFaze ActionUnitone Rockers & Black SteelNew KingdomLazyboyCashmereSystem 7Transglobal UndergroundRichard LugoLarry PeeSly & RobbieInternational Pony & StepchildRaz OharaDJ ShadowThe ConceptYosser's GangCheshire CatMarkus KienzlHome T & Cocoa Tea & Shabba RanksOosh TerranovaRed DragonCarey JohnsonBomb The Bass & CarltonThe Dread Flimstone Sound

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Some Other Artists on the SOUR Label

Mack, TheT PowerT.PowerMampi SwiftAmnesia MackShy FXMC DetSoundman & Don LloydieShy FX & GunsmokePhunkateerzT.Power & MK-UltraSoundman & Don Lloydie & Elisabeth TroyLoggiElisabeth TroyUK Apachi & Shy FX

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

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