Various - Re-edits. Re-mixes. Re-works - Hardgroove - Techno
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Out of Stock |
Track ListingA Blake Baxter Sexuality (Ben Sims Hardgroove Remix)B1 Rue East Birmingham (Ben Sims Hardgroove Remix) B2 Ben Sims Music Part 2 (Ben Sims Re-edit) C1 Alpharisc Fresh People (Ben Sims Hardgroove Remix) C2 Paul Mac Elvis Beats (Ben Sims Killa Edit) D1 Ratio Central 3 (Ben Sims Hardgroove Remix) D2 Steve Bicknell Primitive Streak (Ben Sims Hardgroove Remix) Media Condition » Near Mint (NM or M-) Sleeve Condition » Generic |
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| Artist | Various | ||
| Title | Re-edits. Re-mixes. Re-works | ||
| Label | Hardgroove | ||
| Catalogue | Hardgroove 005 | ||
| Format | Vinyl Double 12 Inch | ||
| Released | 2004 | ||
| Genre | Techno |
Other Titles by Various
• True Faith The First Phase • Lazy DJs • Fierce Dance Cuts No. 1 • Serious Beats 1 • Vox Populi: First Choice Sampler 1993 Volume 1 • Betta Breaks & Beats Volume 1 • March 88 Previews • Soul Daze • The Guitar Dance EP • There's A Movement Underground • Points In Time 007 • 20 Flash Back Greats Of The Sixties • A Perfecto Summer • Action Trax 2 • April 90 - Previews •
Some Other Artists in the Techno Genre• 808 State • Eskimos & Egypt • DJ Dan • The Prodigy • Luke Slater • Slam • Jbs • Dave Clarke • WestBam • Sven Väth • Moby • The Chemical Brothers • Underworld • Carl Cox • Ken Ishii • Kerosene • Apollo 440 • Dave Angel • Roel Butzen • Blue Pearl • Dynamite • Stacey Pullen • Ken Ishi • Cristian Vogel • Bob Brown • Tony Crooks • Beat In Time • The Shamen • Sound Exciters • Groove Cyclone • Mike Dearborn • Donato Capozzi • Irridium • Chelsea Grin • Silo • Neomorph • Lost • A Guy Called Gerald • Josh Wink • Boom Boom Satellites • |
Some Other Artists on the Hardgroove Label• Ben Sims • Samuel L. Session & Ben Sims • |
Information on the Techno Genre
Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.
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