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Paul Weller - Above The Clouds - Go! Discs - Indie

Paul Weller - Above The Clouds - Go! Discs - Indie
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Track Listing

A Above The Clouds
B Everything Has A Price To Pay


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Paul Weller
Title Above The Clouds
Label Go! Discs
Catalogue GOD 91
Format Vinyl 7 Inch
Released 1992
Genre Indie

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Other Titles by Paul Weller

Live WoodStanley RoadInto TomorrowModern Classics - The Greatest HitsOut Of The SinkingPaul WellerSunflowerSunflowerUh Huh Oh YehWild WoodWild Wood


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The FarmBedazzledTouch Of EvilThousand Yard StareThe Soup DragonsJesus JonesHis Latest FlameFive ThirtyWonder Stuff, TheThe PopinjaysSenseless ThingsEverything But The GirlCarter The Unstoppable Sex MachineCUDThat Petrol EmotionThe Darling BudsLivingstoneAn Emotional FishThe MissionBlurIan BrownThe Wedding PresentThe Wonder StuffOasisInspiral CarpetsSoup Dragons, TheNatural LifeTerrorvisionFaith BrothersThe HousemartinsBirdlandNed's Atomic DustbinDaytona Happy MondaysLevitation PushermanTest IciclesGay DadSensitize Magic Numbers, The

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Some Other Artists on the Go! Discs Label

Beats InternationalDelta House Of FunkLisa MoorishNorman CookSister BlissThe HousemartinsSheer BronzeDavid HolmesSister Bliss & ColetteGabrielleBeautiful South, TheFather FatherButterfield 8 (2)Boothill Foot TappersJenny JonesThe Beautiful SouthA Thousand Miles Of SunshineThe Blue Ox BabesAnna (13)Apollo LandingPharcyde, TheGlowormAdventures Of Daniel Lite, TheBilly BraggJune Miles-KingstonDeep Freeze ProductionsPortisheadHousemartins, TheThe La'sLa's, TheThe Trash Can SinatrasDeep Freeze Productions & Janet KayThe La'sJason Joy

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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