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Cashmere - We Need Love - 4th & Broadway - Dub

Cashmere - We Need Love - 4th & Broadway - Dub
Price £6.00

Track Listing

A We Need Love (5:35)
B Keep Me Up (Remix) (5:33)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Cashmere
Title We Need Love
Label 4th & Broadway
Catalogue 12 BRW 22
Format Vinyl 12 Inch
Released 1985
Genre Dub

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Other Titles by Cashmere

Can ICan ICan ICan ICan ICan ICashmereCashmereTry Your Lovin'Can ICan ICashmereDo It Anyway You WannaDo It Anyway You WannaLet The Music Turn You On


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemTackheadSugar BulletBeats InternationalConcrete NationStock, Aitken & WatermanBorder CrossingOui 3Zeke ManyikaMajestic 12MonyakaMovement 98F.A.B.Platinum Radics & Governor TiggyRichard LugoLazyboyImaginationThe Dread Flimstone SoundYosser's GangUnitone Rockers & Black SteelRaz OharaFaze ActionNew KingdomLarry PeeSystem 7Home T & Cocoa Tea & Shabba RanksTerranovaMarkus KienzlCarey JohnsonHula Bad Street BoyInternational Pony & StepchildTransglobal UndergroundOosh Peace OrchestraBomb The Bass & CarltonDJ ShadowFrantic LanguageCheshire CatRed Dragon

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Some Other Artists on the 4th & Broadway Label

Will DowningDON-EMica ParisTrouble FunkDream Warriors49ersBy All MeansLaquanAct Of FaithFreak PowerSkipworth & TurnerMark SummersBoo-Yaa T.R.I.B.E.Alex ReeceEugene WildeTone LocMiles JayeDhar BraxtonChris PaulDavid GrantDinoNightcrawlersSprinklerDave AngelSimpliciousGwen GuthrieDodge City ProductionsFloor Federation & Disco SlutsCriminal Element OrchestraDivine Skatemaster TateMica Paris & Courtney PineThe ConceptDef JefPigforceStereo MC'sKenyattaPaul RutherfordJillian MendezBomb The Bass & Spikey T

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.