Luciano Berio & Jacob Druckman & Ilhan Mimaroglu - Electronic Music III - Turnabout - Experimental
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Track ListingA1 Luciano Berio Thema (Omaggio A Joyce) (8:15)A2 Jacob Druckman Animus I (13:00) B1 Ilhan Mimaroglu Piano Music For Performer And Composer (7:42) B2 Ilhan Mimaroglu Six Preludes For Magnetic Tape - Prelude I (2:53) B3 Ilhan Mimaroglu Six Preludes For Magnetic Tape - Prelude II (2:22) B4 Ilhan Mimaroglu Six Preludes For Magnetic Tape - Prelude XI (3:06) B5 Ilhan Mimaroglu Six Preludes For Magnetic Tape - Prelude IX (2:18) B6 Ilhan Mimaroglu Six Preludes For Magnetic Tape - Prelude VI (2:16) B7 Ilhan Mimaroglu Six Preludes For Magnetic Tape - Prelude XII (2:32) Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good Plus (VG+) |
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Artist | Luciano Berio & Jacob Druckman & Ilhan Mimaroglu | ||
Title | Electronic Music III | ||
Label | Turnabout | ||
Catalogue | TV 34177S | ||
Format | Vinyl Album | ||
Released | 1969 | ||
Genre | Experimental |
Some Other Artists in the Experimental Genre• Synergy • PC Worship • Kenickie • New Kingdom • Osymyso • Sudden Impact • Pistol Grip • Antipop Consortium • Senser • Passage • Mira Calix • BBX • Michael Crawford with The London Symphony Orchestra • M' Black • Brothomstates • Firstborn • Ladyvipb • John Callaghan • Le Tone • Burundi Black • The Sads • The Art Of Noise & Max Headroom • Alexander's Annexe • RMN • Acid Scout • Wyfekillaz • Mark Jenkins • Panoptica • Chok Rock • Tackhead • NT • Space (KLF) • Process • Boom Bip • Prophecy • Burning Bush • Francois De Roubaix • Ragga And The Jack Magic Orchestra • Einstürzende Neubauten • Bally Sagoo • |
Some Other Artists on the Turnabout Label• Ludwig Van Beethoven & Alfred Brendel • Joseph Haydn • Ludwig Van Beethoven, Wiener Akademie, Otto Klemperer & Wiener Symphoniker • Joseph Haydn & Jascha Horenstein • Alfred Brendel, Ludwig Van Beethoven, Vienna Pro Musica Orchestra & Zubin Mehta • Arnold Schoenberg • |
Information on the Experimental Genre
At the beginning of the British rave era a number of UK based electronic musicians were inspired by the underground dance music of the time and started to explore experimental forms of EDM production. By the early 1990s the music associated with this experimentation had gained prominence with releases on a variety of record labels including Warp Records (1989), Black Dog Productions (1989), R & S Records (1989), Carl Craig's Planet E, Rising High Records (1991), Richard James's Rephlex Records (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1989), Soma Quality Recordings (1991), Peacefrog Records (1991), and Metamorphic Recordings (1992).By 1992 Warp Records was marketing the musical output of the artists on its roster using the description electronic listening music, but this was quickly replaced by intelligent techno. In the same period (1992–93), other names were also used, such as armchair techno, ambient techno, and electronica, but all were attempts to describe an emerging offshoot of electronic dance music that was being enjoyed by the "sedentary and stay at home". Steve Beckett, co-owner of Warp, has said that the electronic music the label was releasing at that point was targeting a post-club home listing audience. In 1993 a number of new record labels emerged that were producing intelligent techno geared releases including New Electronica, Mille Plateaux, 100% Pure, and Ferox Records.
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